In early 1946, Joan went to work as an usherette at the Pantages Theatre in Hollywood. The following year she had a bit part on an early television show. She also sang with Ted Fio Rito's band and entered beauty contests. In the summer of 1949, at age sixteen, she won the titles "Miss Eight Ball" and "Miss Palm Springs."
While doing the Miss Palm Springs contest, she was discovered by Howard Hughes. She lunched with him and he gave her a bit part in Jet Pilot at RKO, which was her motion picture debut. Her line of dialogue consisted of one word, "Look!" Though production of the movie was in 1949 and 1950, it was not released until 1957. The following year, 1951, she posed for famous pin-up girl artist Alberto Vargas, the painter of the glamorous "Varga Girls." His painting of Van Doren was on the July cover of Esquire.
She was briefly married at seventeen, when she and first husband, Jack Newman, eloped to Santa Barbara. But it turned out that he was abusive, so she quickly got out of the marriage.
She did a few more bit parts in movies at RKO, including His Kind of Woman (1951) starring Robert Mitchum, Jane Russell and Vincent Price. About her appearance in that one, Van Doren has said, "If you blinked you would miss me. I look barely old enough to drive."
She then began working on the stage. She was a showgirl in New York in Monte Proser's nightclub version of Billion Dollar Baby. Songwriter Jimmy McHugh discovered her for his musicals, then decided she was too good for the chorus line and should have dramatic training. She studied with Ben Bard and Bliss-Hayden. While appearing in the role of Marie in a showcase production of Come Back, Little Sheba, she was seen by Phil Benjamin, a casting director at Universal International.
On January 20, 1953, she signed a contract with Universal. The studio had big plans for her, hoping she would bring the success that 20th Century Fox had with Marilyn Monroe, the reigning sex symbol of the era. It has been said that because the day she was signed was also the day PresidentEisenhower was inaugurated, the studio decided to give her the name Mamie for Ike's wife, Mamie Eisenhower, and Van Doren because it sounds Dutch.
Her first movie for Universal was Forbidden (1953), playing a singer. She then made The All American (1953), playing Susie Ward, a girl from the other side of the tracks who is the man-trap at a campus beer joint. In Yankee Pasha (1954) starring Tony Curtis and Rhonda Fleming, she played a slave girl, Lilith.
Van Doren starred as the "bad girl" archetype in several teenage cult movies of the 1950s. She also appeared in some of the first movies to feature Rock & Roll music. She became identified with this rebellious style, and made some Rock records.
While she and the other blonde bombshells did not attain the same level of superstar status as Monroe, Van Doren did become one of the leading sex symbols of the day. Marilyn, Mamie and Jayne Mansfield were known as the "Three M's," and Van Doren achieved legendary status as being the sole survivor.
But while Monroe did Gentlemen Prefer Blondes and Mansfield had a big success with (*****) , a part that was originally written for Van Doren, who turned it down, Universal stuck Van Doren with Francis the talking mule in Francis Joins the WACS.
Van Doren has had five husbands, sportswear manufacturer Jack Newman (married 1950-divorced 1950), bandleader, composer and actor Ray Anthony (married 1955-divorced 1961), baseball player Lee Meyers (married 1966-divorced 1967), businessman Ross McClintock (married 1972-divorced 1973) and actor Thomas Dixon (married 1979-present).
She and Anthony had one son, Perry Ray Anthony (born March 18, 1956).
But many of the productions she starred in were low-budget B-movies. They are largely unknown to later generations, though some have gained a following for their high camp value. Besides the casting decisions at Universal, a problem with her career was poor management.
During the Vietnam War she did tours for U.S. troops in Vietnam, for three months in 1968 and again in 1970. In addition to USO shows, she visited hospitals, including the wards of amputees and burn victims that many other celebrities stayed away from.
In 1987, she wrote her autobiography, with Art Aveilhe, titled Playing the Field: My Story'', published by GP Putnams, New York.
Starting at age sixty, she has had plastic surgery to maintain a youthful appearance. She has written about this and discussed it in interviews.
You can read about Mamie Van Doren and her past exploits at her very own website, where "the first authentic sex-kitten in cyberspace" gives one of the most intimate looks at a celebrity's personal life on the Internet. Included at her long, detailed site are photos, stories and anecdotes about Hollywood and her career, and an articulate and opinionated politicalweblog. "The Web is the perfect place for an appreciation of Hollywood Glamour. Take a look at it through my eyes, kids!"
- "My best asset is my brain. Without my brain, I don't think the rest of me would be too hot." - "I came to Hollywood determined to follow in Jean Harlow's footsteps, but I was determined not to die young. My hope was to endure. And endure I have." - "I don't wear panties anymore - this startles the Hollywood wolves so much they don't know what to pull at, so they leave me alone." - "There is a history of calamitous and violent deaths among the glamorous girls that boggles the mind and chills the blood, especially if you're one of the few survivors... As young women we were told that we were infinitely desirable and beautiful, only to discover that there was always someone coming up behind who was more desirable and beautiful. Our profession is perhaps the most competitive in the world. For, to be glamorous, to be beautiful, is to be doomed eventually to be disappointed."
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